Jumpers for Goalposts by Tom Wells, charts the progress of a five aside team in an LGBT+ amateur football league. Each scene in the play takes place in the changing room after their games, charting their generally disastrous performances on the field along with their personal developments. While primarily a comedy, there are moments of significant pathos as the play discusses the physical assault of one character over his sexuality and portrays another living with HIV.
I had very little idea what to expect from Director Hannah Ritchie’s all-female production of King Lear. It represents her first directing project in St Andrews, and features a cast of proven talent and some new faces. The play is generally considered one of Shakespeare’s finest, but it is also notoriously difficult to stage. It’s very long (uncut it can run as long as four hours), deals with incredibly complex themes, and the role of Lear itself is a challenge even to veteran Shakespearean actors, often seen as the Everest of theatre. With these factors in mind, I was curious to see how well a group of young women could pull this off.