First off, I hate fairy lights in plays. I have to lay my cards on the table. Deploy them as well as you like, I’m going to sneer at their use anywhere except on the pin-board of your first-year bedroom. Sorry. While we’re on confessions, I want to note that I don’t really know how to review new writing – should I talk about the production or the text? Both?
According to Oli Savage, it’s a cursed week. His actor was late to rehearsal. The room he walked into was cluttered with scones, tea, and more chairs than you could possibly guess. By his own admissions, his hands are covered in blisters after trying to work on his van over the weekend. But for a man with a curse, Oli Savage is surprisingly chipper. Not surprising, given that he’s got, as far as I’m aware, 2 projects on the go, not to mention being on OTR committee, teching for the Revue, being in a band and running his own theatre company. With that much on, being anything other than chipper is just admitting defeat.
Following their Brexit-based show last year, this semester St Andrews’ devising troupe, BlackBox, took a break from politics to explore Scottish folklore. To the Ocean tells the story of a young girl, Grace, whose mother Shonagh leaves when she is eight years old. Unable to tell her the truth, her father convinces her that Shonagh is a Selkie (a seal that can take off its skin and live on land as a human) who saved his life when his boat was caught in a storm but was then unable to come back to land. The majority of the play follows fifteen-year-old Grace and her friend Ana as they leave their small seaside town and follow the clues in a newspaper article to find Shonagh in the big city.