The more ancient a play is, the more work must be done to make it relevant. This is the fundamental struggle that any director has working with Greek Tragedy today. Gabriele Uboldi seems relatively unfazed by the concept. To him, that difficulty of making that relevant is basically the central conceit of the entire show.
The first week of this semester is about to come to an end, which means that the St Andrews performing arts semester is about to start. With Spark going up in week 3, I wanted to do a quick preview of the season and figure out what people were interested in. One of the theatre writers, Olli Gilford, wrote this piece below.