The Post: necessary but passionless

News on President Trump’s slipshod efforts to discredit the media and his own Department of Justice — eerily similar to Nixon’s rabid treatment of the press and his own charges of obstruction of justice — as well as the discussion on workplace gender politics fountaining from the #MeToo movement, currently dominate US headlines. Such a stage set, Steven Spielberg’s The Post is most certainly a necessary film — though one which fails to capitalise on the underlying, long-dormant anger welling from topical issues.