We were welcomed into the Barron by Wilf Wheatley, collecting our tickets in character. Wheatley’s Cornish-accented stationmaster was the first sign that Mermaids’ latest production, Arnold Ridley’s The Ghost Train, was going to be a raucous affair: teetering between camp comedy and jump-scare titillation.
Just So Society’s production of the classic musical Sweet Charity was performed with verve, vivacity and confidence. Director Hanna Lawson has brought to life a complex set of moving parts in a bold, brash, joyous show that didn’t take itself too seriously and set a smile on every spectator’s face.
Rabbit Hole, Mermaids’ first StAge show of the semester, was a testament to the virtue of simplicity. Director Emma Gylling Mortensen has produced a play that is very clearly a passion project, and her affection for the text was made obvious by creative decisions – from the staging, to a lavishly detailed set, not to mention an inspired playlist – that demonstrated a commitment to utter precision.